>Takahiko Iimura's Interview: Butoh Films
Cine-dance in Anma (The Masseurs) (1963) and Rose Color Dance (1965)

> Dr. Duncan White interviews
Takahiko iimura(2010, London)

> "I saw my first Iimura film in 1964...," , Jonas Mekas
("Takahiko Iimura Film and Video", Anthology Film Archives, New York,1990)

> "The Films of Takahiko Iimura "(Excerpt), Scott MacDonald
(After image, April, 1978, Rochester, N.Y., pp.8-12, Also Takahiko Iimura, Film and Video, Anthology Film Archives, New York, 1990, pp5-15)

> "The Video Art of Takahiko Iimura", Daryl Chin
(Takahiko Iimura, Film and Video, Anthology Film Archives, New York, 1990, pp36-39)

> "I am Not Taka Iimura", Carl Eugene Loeffler
(The Media World of Takahiko Iimura II, Kirin Plaza Osaka, 1993)

> "The Film and video work of Taka Iimura"(Excerpt), Bruno Di Marino
(From <Time> to <See you> Takahiko Iimura, Istituto Giapponese di Cultura, Roma, 1997)

> "Bringing The Ryoan-ji To The Screen," Daniel Charles, 2000
(Millennium Film Journal, Millennium FIlm Workshop, New York, Spring 2002, pp65-72)

> Takahiko iimura - Interactive AIUEONN - Six Features & a Game of Words Which Starts With the Letter A, Fred Andersson
(LEONARDO DIGITAL REVIEWS, MIT Press, 2001.02 )

> Takahiko Iimura - Retrospective de films et de video SEEING catalogue, Fred Andersson
(LEONARDO DIGITAL REVIEWS, MIT Press, 2001.02 )

> Takahiko Iimura - OBSERVER/OBSERVED and other works of Video Semiology, Mike Leggett
(LEONARDO DIGITAL REVIEWS, MIT Press, 2001.04)

> Takahiko Iimura - Seeing/Hearing/Speaking, Michael R. (Mike) Mosher
(LEONARDO DIGITAL REVIEWS, MIT Press, 2003.08)

> Takahiko Iimura - Seeing/Hearing/Speaking, Fred Andersson
(LEONARDO DIGITAL REVIEWS, MIT Press, 2003.10)

> Takahiko iimura: Video and Semiology (Dec. -03)
Concluding report from Takahiko iimura's screenings and seminar at Lund, Fred Andersson

> On "Reflected Cinema"(A Note on the Program), Takahiko Iimura
(The film program at the Japan Society, New York, May 3, 1978, Also takahiko iimura, Film and Video, Anthology Film Archives, New York, 1990, pp16)

> The Visuality in the Structure of Japanese Language,Takahiko Iimura
(Art & Cinema, December 1978, New York, pp.16-22, Also Takahiko Iimura, Film and Video, Anthology Film Archives, New York, 1990, pp 40-43)

> "A Note for "MA:Space/Time in the Garden of Ryoan-Ji", Takahiko Iimura
(Millennium Film Journal, Millennium FIlm Workshop, Spring 2002, pp50-63)

>Interview "Takahiko Iimura is c camera" (PDF)
Martin Anderson, Professor, Lynne Sachs, Fall 2009

The copy right belongs to the individual authors and Takahiko iimura.
Forbidden to duplicate and to transfer without permission in printed materials and websites.